Church Landscape in the Adirondacks painting

Church Landscape in the Adirondacks painting
Chase After the Rain painting
Fantin-Latour Flowers in a Bowl painting
Knight Sunny Afternoon on the Canal painting
some time on the quay, and then flowed away by degrees, as if whatever was passing along was entering the interior of the island; then it ceased altogether, and the line of the quay returned to its wonted straightness and immobility.
Just as Quasimodo was exhausting himself in conjectures, it seemed to him that the movement was reappearing in the Rue du Parvis, which runs into the city in a straight line with the front of Notre-Dame. At last, despite the great darkness, he could descry the head of a column issuing from that street, and the next instant a crowd spreading out into the square, of which he could distinguish nothing further than that it was a crowd.
It was a fear-compelling spectacle. No doubt this strange procession, which seemed so anxious to cloak itself under the profound darkness, preserved a silence no less profound. Still, some sound must have escaped from it, were it only the tramp of feet. But even this sound did not reach the deaf hunchback, and the great multitude, which he could only dimly see, but which he heard not at all, moving so near him, seemed to him like an assemblage of the dead—mute, ghostly shapes, hovering in a mist—shadows in a shade.