Frida Kahlo The Suicide of Dorothy Hale paintingFrida Kahlo The Frame painting
the expression of a man who might be fatuous and a ham of sorts, but was not himself evil or unjust—a man who would like to overhear some sergeant say, "He keeps a tight outfit, but he's straight." In men like Templeton all emotions—all smiles, all anger—emanated from a priestlike, religious fervor, throbbing inwardly with the cadence of parades and booted footfalls. By that passion rebels are ordered into quick damnation but simple doubters sometimes find indulgence— depending upon the priest, who may be one inclined toward mercy, or who is one ever rapt in some litany of punishment and court-martial. The Colonel was devout but inclined toward mercy. He was not a tyrant, and his smile was a sign that the Captain's doubts were forgiven, probably even forgotten. But only Culver had seen the Captain's face: a quick look of both fury and suffering, like the tragic Greek mask, or a shackled slave. Then Mannix flushed. "Yes, sir," he said.
The Colonel walked toward the door. He seemed already to have put the incident out of his mind. "Culver," he said, "if you can ever make radio contact with Able
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