Titian Bacchus and Ariadne painting

Titian Bacchus and Ariadne paintingLorenzo Lotto St Catherine of Alexandria paintingTheodore Chasseriau Apollo and Daphne painting
easily have broken through into the realm of bodily harm. Indeed, so incompatible did it seem with all previous experience that it was some appreciable time before he could convince himself of the continuity of his existence; but for the of Hebraic and mediaeval imagery with which the idea of the body had become symbolized, he could in that moment easily have believed in his own bodily extinction and the unreality of all the sensible objects about him. Later he learned to regard these periods between his fall and the dismayed advent of help from below, as the first promptings towards that struggle for detachment in which he had, not without almost frantic endeavour, finally acknowledged defeat in the bedroom of the Oxford hotel.
The first phase of detachment had passed and had been succeeded by one of methodical investigation. Almost simultaneously with his acceptance of his continued existence had come the conception of pain—vaguely at first as of a melody played by another to which his